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Ebook The Mixing Engineer's Handbook, by Bobby Owsinski

Ebook The Mixing Engineer's Handbook, by Bobby Owsinski

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The Mixing Engineer's Handbook, by Bobby Owsinski

The Mixing Engineer's Handbook, by Bobby Owsinski


The Mixing Engineer's Handbook, by Bobby Owsinski


Ebook The Mixing Engineer's Handbook, by Bobby Owsinski

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The Mixing Engineer's Handbook, by Bobby Owsinski

About the Author

A long-time music industry veteran, Bobby Owsinski started his career as a guitar and keyboard player, songwriter and arranger, eventually becoming an in-demand producer/engineer working not only with a variety of recording artists, but on commercials, television and motion pictures as well. One of the first to delve into surround sound music mixing, Bobby has worked on over a hundred surround projects and DVD productions for a variety of superstar acts. Combining his music and recording experience with an easy-to-understand writing style, Bobby has become one of the best-selling authors in the music recording industry with 19 books that are now staples in audio recording, music, and music business programs in colleges around the world, including the best-selling Mixing Engineer's Handbook, Recording Engineer's Handbook, and Music 3.0:A Survival Guide For Making Music In The Internet Age. A frequent moderator, panelist, and program director for a variety of industry conferences, Bobby has served as the longtime producer of the annual Surround Music Awards, and is one of the creators and executive producers for the "Guitar Universe" and "Desert Island Music" television programs. Visit Bobby's production blog at bobbyowsinski.blogspot.com/, his Music 3.0 blog at music3point0.blogspot.com, and his website at bobbyowsinski.com.

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Product details

Paperback: 288 pages

Publisher: Cengage Learning PTR; 3 edition (April 9, 2013)

Language: English

ISBN-10: 128542087X

ISBN-13: 978-1285420875

Product Dimensions:

8.5 x 1 x 11 inches

Shipping Weight: 1.4 pounds

Average Customer Review:

4.7 out of 5 stars

189 customer reviews

Amazon Best Sellers Rank:

#619,537 in Books (See Top 100 in Books)

Alright, so, after a while of mixing things on my own, I figured that I had a pretty good idea of what mixing entails. Well, I was in for a surprise. I had heard good things about this book, and I thought to myself, "Hmm...might be a cool book to just further my learning." The book arrived and I dove in, hoping to find a few tips and some insight from several acclaimed mixers and producers. Little did I know, I was in the middle of a gold mine.This book is awesome! It has virtually everything you ever wanted to know about mixing. Tons of thoughts and SPECIFICS on EQs, Compression, balance, panning, and all kinds of great information. Owsinski gives specific ideas and settings for frequency slotting and balance. For example, on page 33 there is a chart that has "magic frequencies", or "sweet spots" in the frequency spectrum for different instruments, i.e, "Horns: Fullness at 120Hz, Piercing at 5kHz" or "Conga: Ring at 200Hz, slap at 5kHz".MANY times you will get books that have a bunch of mediocre information and their key point is "you just have to play around with it until you find that sweet spot" or "it's all up to you". What's great about this book is that it gives you a STARTING POINT plus is has a TON of thoughts on specific subjects by some (some...try 22!) of the most renowned mixers in the business including Allen Sides, Don Hahn, Bruce Swedien, Elliot Scheiner, John X, and Ed Seay. In the later chapters of the book, he has strictly the interviews of mixers in their entirety. The interviews are mostly about their philosophies and methods on mixing as a WHOLE. The specifics are left embedding into the chapters.So, if you think you know it all, get this book! If you think you don't know where to start, get this book! It will rock your world and change your entire way of thinking, at least, it did for me! 5 stars!

I have some similar books in this genre, and I am getting the most use out of this one. It not only contains the general "rules of thumb", but it gets much more specific about things you can try in terms of recording, mixing, effects, etc. This book drove home the point about how important it is to have proper EQ, so that each instrument has a place to "sit" in the frequency spectrum.It covers compressors in a much more practical way than some other books, giving you some really nice tips on how to get a great vocal.I love the chapter on effects, and especially the specific tips on layering reverbs.And then there are the interviews which really show you how much work and technique the pros are using that the average home enthusiast is not. Those interviews woke me up and let me know that I'm going to have to get a lot better and work a lot harder to create the same quality as the pros.The information on file formats is very good too. I had no idea that MP3 files had so many drawbacks and were so touchy.Only the most minor annoyances keep this book from being a pillar of magnificent writing. I would like to see the names of the equipment being constantly mentioned get fully-worded, rather than just slinging out terms like "808". (That's some type of Roland drum-machine the best I can tell.) In other words, instead of saying "LA2A", give the brand-name, the model number, and what kind of gear it really is so that a beginning reader can follow along better.The bottom line is that this book will make you better and give you a lot more knowledge than you probably had if you're trying to learn proper mixing.

This is a great book for beginning and intermediate audio nerds (like me) who want to learn more and have some great reference material while mixing. I haven't finished reading it through completely but I'm already impressed with the detail and organization of the material. highly recommended for others who want a better understanding of mixing and all of its elements.

When I first received this in the mail, based on it's weight and thickness, I though I might have made a mistake! I am a beginner at sound engineering so I thought I might have jumped the gun when getting something as advanced as this. But, actually, it starts from the beginning and get's you up to speed rather fast with some really great knowledge. I am still working my way through it but enjoying it immensely. I do have my own video production company and have gone quiet far at that, so I am not a stranger to how advanced and technical things can get. I feel confident in saying this book still offers a lot for someone who has been doing their own recording for a while and also helps point out how much a novice you might find yourself in a knowledge base of certain areas.

If you want to improve your mixes, this is one of the best books I've come to find, by far. The real secrets by the people that have made the albums everyone loves.

After trying other books, online courses and youtube videos about mixing (months friends, months) I have found my Mixing Bible. This book is that good. Thank you to the author. The section about comments from experienced sound engineers is so good that this book finds and gives you "the truth of the matter".

Bought this for my boyfriend who's been into recording, mixing, etc, now for a number of years (he's always been a musician and for a long time played in bands AND "did sound" for his own bands as well as others'). Out of several similar books, he picked this one - and he's barely put it down since he received it. He seems to be learning a lot, and it also seems like it's not super-difficult to follow or too dry (otherwise he'd have given up on it already). For the price, it's a steal, given all the useful info in this book. If you're on the fence for yourself or a friend - buy it! You won't regret it.

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The Mixing Engineer's Handbook, by Bobby Owsinski PDF
The Mixing Engineer's Handbook, by Bobby Owsinski PDF


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